The Catherine Wheel
Premiere
Production
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Choreographer
Twyla Tharp
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Composer
David Byrne (with Brian Eno and John Chernoff)
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Lighting Designer
Jennifer Tipton
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Costume and Scenic Designer
Santo Loquasto
Dancers
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The Leader
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The Father
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The Mother
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The Brother
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The Sister
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The Maid
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The Pet
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The Poet
Ensemble
Shelley Freydont, Mary Ann Kellogg, Barbara Hoon
Richard Colton, John Malashock, William Whitener, Keith Young
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Number of Dancers
15
Dance sections
I. Disrupting The Peace
Colton, Whitener, Malashock, Kellogg, Freydont, Hoon and Rudner
II. Presenting The Company
Rudner;
Kurshals, Glasner, Washington;
Carrafa, Way, Uchida, Rawe;
Malashock, Whitener, Young, Kellogg, Colton, Freydont
III. Presenting The Family
Rawe, Way, Kurshals, Glasner, Uchida, Washington
IV. First Family Fuss
Rawe, Way, Kurshals, Glasner, Uchida, Washington, Carrafa
V. Scolding The Family
Rudner and Malashock, Freydont, Whitener, Kellogg, Hoon
VI. The Tap Lesson
Way, Kurshals, Glasner, Rawe, Uchida, Washington, Carrafa
VII. Lamenting The Family
Rudner and Freydont, Whitener, Malashock, Kellogg, Glasner, Colton, Young
VIII. The Family Goes to Town
Way, Kurshals, Glasner, Carrafa and the Chorus
IX. Expelling the Leader
Rudner and Whitener, Freydont, Malashock, Colton, Young, Kellogg.
X. The Poet’s Decline
Carrafa and Uchida, Way, Glasner;
Rawe, Way;
Carrafa, Uchida;
Carrafa, Way, Rawe, Washington
XI. Ethiopia
Washington and Full Cast
XII. Combat
Rawe, Way, Kurshals, Uchida, Glasner, Washington, Carrafa
XIII. Brooms
Whitener Malashock, Colton, Young, Kellogg, Freydont and Way
XIV. The Family Loop
Rawe, Way, Kurshals, Glasner
XV. The Leader Repents
Rudner and Colton, Whitener, Malashock, Young
XVI. Equilibrium Restored
Rudner and Way, Colton, Kellogg, Rawe, Kurshals, Glasner, Freydont, Young, Malashock, Whitener
XVII. The Golden Section
Full Cast
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Runtime
01:12:33
Description
The Catherine Wheel takes its title from a torture device used in the martyrdom of Saint Catherine of Alexandria. This device has lent its name to a number of familiar things over time – a spinning firework, a crochet pattern, a flower. Tharp’s second Broadway production operates within a world of plurality wherein an archetypal family faces the implosive forces of domestic squabbles and abuse.
Tharp employs another reoccurring symbol with connotations that are at once beautiful and ominous: the pineapple, which one dancer hands to another, is a historic icon of home and hospitality; however, the shape also recalls the Mk2 hand grenades of World War II, nicknamed “pineapple grenades.”
The first half of The Catherine Wheel explores the nature of power as destructive and explosive, whereas in the final section power becomes a constructive force. The dramatic tension between greeting and aggression, implosion and explosion builds until it finally erupts in the athletic, pure-dance finale.
The final section The Golden Section (1983) was later performed as a stand-alone piece.
Past Performances
Twyla Tharp Dance
The Catherine Wheel (premiere) | Twyla Tharp Dance
New York, NY
September 22 1981 Premiere
- 1981